Hi all, 

if you don't mind, I'd like to partake in the traversal of the medium (again) for a bit if not to flesh out some of the greater {and lesser} points of the un-uncanniness and the lack of 'sheer' occurrings - I do so with the mind of a former contributer to ask some simple albeit meaningful questions:

 

Isn't this entire project about negating the 'can'?

 

"Why can't you?"

"I just can't"

 

THE justice of the castrated moment IS that it  requires poetry...

 

And the "Point" being the 'Sheerness' of the negation of the canny. 

 

In other words, what is the UNsheerness of the Canny/The 'can'.

 

P